
Installation view, Huma Bhabha: They Live, the Institute of Contemporary Art/Boston, 2019. Photo by Charles Mayer Photography © Huma Bhabha
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Installation view, Huma Bhabha: They Live, the Institute of Contemporary Art/Boston, 2019. Photo by Charles Mayer Photography © Huma Bhabha
Huma Bhabha, My Skull Is Too Small (detail), 2009. Clay, wood, wire, Styrofoam, aluminum, c…
View full creditsInstallation view, Huma Bhabha: They Live, the Institute of Contemporary Art/Boston, 2019. Photo by Natasha Moustache © Huma Bhabha
Huma Bhabha, Four Nights of a Dreamer, 2018. Cork, Styrofoam, acrylic, oil stick, and lacquered wood pedestal, 74 1/2 × 36 × 36 inches (189.2 × 91.4 × 91.4 cm). Courtesy of the artist, David Kordansky Gallery, Los Angeles and Salon 94, New York. Ph…
View full creditsInstallation view, Huma Bhabha: They Live, the Institute of Contemporary Art/Boston, 2019. Photo by Charles Mayer Photography © Huma Bhabha
Huma Bhabha, Constantium, 2014. Cast bronze with acrylic paint. 73 3/4 x 26 1/8 x 19 7/8 (187.3 x 66.4 x 50.5 cm). Installation view, Huma Bhabha: They Live, the Institute of Contemporary Art/Boston, 2019. Photo by Natasha Moustache © Huma Bhabha
Installation view, Huma Bhabha: They Live, the Institute of Contemporary Art/Boston, 2019. Photo by Charles Mayer Photography © Huma Bhabha
Installation view, Huma Bhabha: They Live, the Institute of Contemporary Art/Boston, 2019. Photo by Charles Mayer Photography © Huma Bhabha
Huma Bhabha, My Skull Is Too Small (detail), 2009. Clay, wood, wire, Styrofoam, aluminum, cast iron, acrylic paint, and charcoal. 93 x 92 x 28 in (236.2 x 233.7 x 71.1 cm). Courtesy Peter Blum Gallery, New York. Photo by Natasha Moustache © Huma Bhabha
Installation view, Huma Bhabha: They Live, the Institute of Contemporary Art/Boston, 2019. Photo by Natasha Moustache © Huma Bhabha
Huma Bhabha, Four Nights of a Dreamer, 2018. Cork, Styrofoam, acrylic, oil stick, and lacquered wood pedestal, 74 1/2 × 36 × 36 inches (189.2 × 91.4 × 91.4 cm). Courtesy of the artist, David Kordansky Gallery, Los Angeles and Salon 94, New York. Ph…
View full creditsSince the early 1990s, Huma Bhabha (born 1962 in Karachi) has developed a distinct visual vocabulary that draws upon a wide variety of influences, including horror movies, science fiction, ancient artifacts, religious reliquary, and modernist sculpture. The largest survey of the artist’s work to date, Huma Bhabha: They Live encompasses sculpture, drawing, and photography, with a special focus on Bhabha’s engagement with the human figure.
Best known for her sculptures, Bhabha uses a diverse array of natural, industrial, and found materials to make compelling works that engage the arts and histories of diverse cultures. Her work transcends a singular time and place, instead creating an exploration of what she describes as the “eternal concerns” found across all cultures: war, colonialism, displacement, and memories of home.
Huma Bhabha: They Live also includes drawings, photographs, and prints spanning the past two decades, as well as new works made on the occasion of this exhibition. It is accompanied by a lushly illustrated scholarly publication.
Organized by Eva Respini, Barbara Lee Chief Curator.
Major support for Huma Bhabha: They Live is provided by The Andy Warhol Foundation for the Visual Arts.
Huma Bhabha: They Live is generously sponsored by Max Mara.
This project is supported in part by the National Endowment for the Arts.
Additional support is generously provided by Karen and Brian Conway, Steve Corkin and Dan Maddalena, Fotene Demoulas and Tom Coté, Cynthia and John Reed, and Charlotte and Herbert S. Wagner III.
Support for the Huma Bhabha: They Live publication provided by Salon 94.