
Andy Warhol, Red Book Prefix F158 (detail), 1972. Dye diffusion transfer prints (Polaroid), 1/2 × 5 1/4 × 3 1/2 inches (1.3 × 13.3 × 8.9 cm). Gift of The Andy Warh…
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Andy Warhol, Red Book Prefix F158 (detail), 1972. Dye diffusion transfer prints (Polaroid), 1/2 × 5 1/4 × 3 1/2 inches (1.3 × 13.3 × 8.9 cm). Gift of The Andy Warh…
View full creditsShepard Fairey, OBEY Marilyn Warhol, 2000. Screenprint, 24 x 18 inches (61 x 45.7 cm). Acquired through the generosity of Beth and Anthony Terrana, Sandra and Gerald S. Fineberg, Fotene Demoulas, and the artist. Courtesy the artist and Obey Giant Art. © Shepard Fairey
Kara Walker, The Nigger Huck Finn Pursues Happiness Beyond the Narrow Constraints of Your Overdetermined Thesis on Freedom–Drawn and Quartered by Mister Kara Walkerberry, with Condolences to the Authors, 2010. Cut paper and paint on wall; gouache and ink on paper, approximately 57 feet (1737.8 cm…
View full creditsPaul Chan, 1st Light, 2005. Projected digital animation (color, silent; 14:00 minutes). Gift of Kimberly and James Pallotta. Courtesy the artist and Greene Naftali. Photo by Jean Vong. © Paul Chan
Installation view, First Light: A Decade of Collecting at the …
View full creditsInstallation view, First Light: A Decade of Collecting at the ICA, The Institute of Contemporary Art/Boston, 2016-17. Photo by Charles Mayer Photography.
Installation view, First Light: A Decade of Collecting at the ICA, The Institute of Contemporary Art/Boston, 2016-17. Photo by Kristyn Ulanday.
Cindy Sherman, Untitled Film Still #3, 1977. Gelatin silver print, 30 x 40 inches (76.2 x 101.6 cm). Promised gift of Marlene and David Persky. Courtesy the artist and Metro Pictures. © Cindy Sherman
Installation view, First Light: A Decade of Collecting at the ICA, The Institute of Contemporary Art/Boston, 2016-17. Photo by Kristyn Ulanday.
Nan Goldin, Matt and Lewis in the Tub Kissing, Cambridge, 1988. Silver dye bleach print (Cibachrome), 20 x 24 inches (50.8 x 61 cm). Gift of Barbara Lee, The Barbara Lee Collection of Art by Women. Courtesy Matthew Marks Gallery. © Nan Goldin
Installation view, First Light: A Decade of Collecting at the ICA, The Institute of Contemporary Art/Boston, 2016-17. Photo by Kristyn Ulanday.
Marlene Dumas, The Messengers, 1992. Oil on canvas, Four parts, each 70 7/ 8 x 35 1/2 inches (180 x 90.2 cm). Gift of Barbara Lee, The Barbara Lee Collection of Art by Women. Courtesy the artist and David Zwirner, New York/London/Hong Kong. Photo by Charles Mayer Photography. © Marlene Dumas
Dara Birnbaum, Kiss the Girls: Make Them Cry, 1979. Two-channel video (color, sound; 6:26 minutes) and flight cases. The Barbara Lee Collection of Art by Women. Courtesy the artist and Wilkinson Gallery. © Dara Birnbaum
Installation view, First Light: A Decade of Collecting at the ICA, The Institute of Contemporary Art/Boston, 2016-17. Photo by Kristyn Ulanday.
Andy Warhol, Red Book Prefix F158 (detail), 1972. Dye diffusion transfer prints (Polaroid), 1/2 × 5 1/4 × 3 1/2 inches (1.3 × 13.3 × 8.9 cm). Gift of The Andy Warhol Foundation for the Visual Arts, Inc. Courtesy The Andy Warhol Foundation for the Visual Arts, Inc. © Andy Warhol
Shepard Fairey, OBEY Marilyn Warhol, 2000. Screenprint, 24 x 18 inches (61 x 45.7 cm). Acquired through the generosity of Beth and Anthony Terrana, Sandra and Gerald S. Fineberg, Fotene Demoulas, and the artist. Courtesy the artist and Obey Giant Art. © Shepard Fairey
Kara Walker, The Nigger Huck Finn Pursues Happiness Beyond the Narrow Constraints of Your Overdetermined Thesis on Freedom–Drawn and Quartered by Mister Kara Walkerberry, with Condolences to the Authors, 2010. Cut paper and paint on wall; gouache and ink on paper, approximately 57 feet (1737.8 cm…
View full creditsPaul Chan, 1st Light, 2005. Projected digital animation (color, silent; 14:00 minutes). Gift of Kimberly and James Pallotta. Courtesy the artist and Greene Naftali. Photo by Jean Vong. © Paul Chan
First Light brings together new acquisitions and permanent-collection favorites in a series of interrelated and stand-alone exhibitions.
#ICAFirstLight
Coinciding with the ten-year anniversary of ICA’s move to its iconic waterfront building, this exhibition will celebrate the museum’s first decade of collecting. Drawn entirely from ICA’s collection and featuring multiple thematic, artist-specific, and historical sections, the exhibition will bring together both new acquisitions and favorites from the permanent collection. Conceived as a series of interrelated and rotating stand-alone exhibitions, this presentation will highlight major singular works from the collection, such as a newly acquired monumental cut-paper silhouette tableau by Kara Walker, as well as the Barbara Lee Collection of Art by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art-historical groupings. A new multimedia web platform will be created to mark the occasion.
This exhibition is organized by ICA’s curatorial department under the leadership of Eva Respini, Barbara Lee Chief Curator, with Jessica Hong, Curatorial Associate.
First Light: A Decade of Collecting at the ICA is sponsored by
This project is supported in part by an award from the National Endowment for the Arts.
Additional support is generously provided by Fiduciary Trust Company, Chuck and Kate Brizius, Katie and Paul Buttenwieser, Karen and Brian Conway, the Robert E. Davoli and Eileen L. McDonagh Charitable Foundation, Jean-François and Nathalie Ducrest, Cynthia and John Reed, and Charles and Fran Rodgers.