
Derrick Adams, Cool Down Bench (RBG), 2023. Fiberglass, epoxy resin, polyurethane paint, polyurethane clear coat, and Radiata pine. 18 3/8 x 121 7/8 x 23 inches (46.7 x 309.6 x 58.4 cm). Courtesy the artist and Gagosian. © Derrick Adams
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Derrick Adams, Cool Down Bench (RBG), 2023. Fiberglass, epoxy resin, polyurethane paint, polyurethane clear coat, and Radiata pine. 18 3/8 x 121 7/8 x 23 inches (46.7 x 309.6 x 58.4 cm). Courtesy the artist and Gagosian. © Derrick Adams
Derrick Adams, That’s Music To My Ears, 2023. Acrylic and fabric collage on wood panel with custom wood fr…
View full creditsDerrick Adams, Floater 107, c. 2017. Acrylic and fabric collage on panel. Approx. 50 x 72 inches (127 x 182.9 cm). Courtesy the artist and Gagosian. © Derrick Adams
Derrick Adams, Style Variation Grid 6, 2019. Acrylic, graphite, and inkjet on watercolor paper. 70 x 44 inches (177.8 x 111.8 cm). Courtesy the artist and Gagosian. © Derrick Adams
Derrick Adams, Cool Down Bench (RBG), 2023. Fiberglass, epoxy resin, polyurethane paint, polyurethane clear coat, and Radiata pine. 18 3/8 x 121 7/8 x 23 inches (46.7 x 309.6 x 58.4 cm). Courtesy the artist and Gagosian. © Derrick Adams
Derrick Adams, That’s Music To My Ears, 2023. Acrylic and fabric collage on wood panel with custom wood frame and vintage TV antennae. 41 x 28 1/2 inches (104.1 x 72.4 cm). Courtesy the artist and Gagosian. © Derrick Adams
Derrick Adams, Floater 107, c. 2017. Acrylic and fabric collage on panel. Approx. 50 x 72 inches (127 x 182.9 cm). Courtesy the artist and Gagosian. © Derrick Adams
Derrick Adams, Style Variation Grid 6, 2019. Acrylic, graphite, and inkjet on watercolor paper. 70 x 44 inches (177.8 x 111.8 cm). Courtesy the artist and Gagosian. © Derrick Adams
“What can I reveal that has not been shown? Black people — not entertaining, just being, living. Letting people deal with that as reality.”
— Derrick Adams
This first mid-career survey of the prolific New York–based artist Derrick Adams (b. 1970 in Baltimore) offers a sweeping view of his multidisciplinary practice over twenty years. Adams celebrates contemporary Black life and culture through a distinct representational language. He often combines planar shapes and patterns to create multifaceted figures that center leisure, freedom, and the pursuit of happiness. Adams’s painting, sculpture, collage, performance, video, and public projects celebrate the beauty of everyday life, transforming these moments into an iconography that resonates with the richness and complexity of Black culture in our time.