Christian Marclay, Doors (still), 2022. Video (color and black-and-white, sound; continuous loop). Courtesy the artist, White Cube, and Paula Cooper Gallery. © Christian Marclay
“Doors are fascinating objects, rich with symbolism. They can hide or reveal, express opposites of light or dark, exterior or interior, open or closed… They are commonplace, yet unfamiliar. We find ourselves wondering what is on the other side, where we may end up. There is fear and anxiety we associate with the unknown, but also anticipation and potential.” — Christian Marclay
Christian Marclay (born 1955 in San Rafael, California) is a pioneering DJ, composer, and visual artist renowned for his experimental work across sound, video, sculpture, collage, and installation.
In Doors (2022), Marclay stitches together hundreds of short film clips featuring the opening and closing of doors. More than a decade in the making, the moving image collage draws from nearly all genres of narrative cinema ranging from French New Wave to Hollywood blockbusters. Carefully edited by Marclay, the visual narrative follows actors entering new spaces, with each door marking an editing point and transitioning between films and soundscapes. The work suggests a labyrinthine journey where protagonists get lost and found again. Marclay describes the video as sculptural – a “mental architecture that the viewer might or might not follow and get lost in.”
This exhibition is the U.S. premiere of Doors.