Photo by Maria Baranova
Preview the performance program.
Curriculum II is an installation and performance in the round. Two seating options are available:
- House Seats face the stage and may be selected on the seat map. Get house seats
- On-Stage Seats surround the perimeter of the stage floor and are sold as general admission tickets. Seats are guaranteed but are selected in the theater on a first-come, first-served basis. Get on-stage seats
Both options provide optimal viewing experiences for this production.
The Friday evening performance will feature a post-show conversation with Bill T. Jones, Artistic Director; Janet Wong, Associate Artistic Director; and members of the company.
“I have oscillated between two or more polarities my entire career: love, mortality, and what it means to be human.”
—Bill T. Jones
Curriculum II is a timely new work conceived and directed by the iconic, Tony-winning, Bill T. Jones and choreographed by Jones with Janet Wong and the Bill T. Jones/Arnie Zane Company. Applying the ideas of Cameroonian historian and political theorist Achille Mbembe, Nigerian-born Afrofuturism scholar Louis Chude-Sokei, and Jamaican writer and cultural theorist Sylvia Wynter, Curriculum II explores the historical and persistent connection between race and technology and the pursuit of what is human.
In The Sound of Culture: Diaspora and Black Technopoetics, Louis Chude-Sokei quoted Sylvia Wynter: “The other must be understood as not just that which is oppressed or marginalized or rendered inhuman, subhuman, or animal; it also must be understood ‘as that which is to come.’” A poetic quilt of text, narration as philosophical lecture, live singing, and soundscore, Curriculum II features the rich archive of Jones’s movement phrases, which are mostly non-theatrical, non-psychological, non-narrative, and made with the intention of clarity and form.
Jones’s title is an ironic reference to Achille Mbembe’s 2018 interview by the Norwegian journalist Torbjorn Tumyr Nilsen, in which he said “For me, this is a matter of common sense. I am in favor of expanding the archive, reading the different archives of the world critically, each with and against the others. There can’t be any other meaning to a planetary curriculum.” This fertile notion inspired Bill T. Jones to undertake a series of works entitled Curriculum, juxtaposing formal exploration with a range of today’s urgent topics as expansive as Jones’s artistry. The series attempts to embrace formal directness and clarity while allowing it to be intruded upon by word fragments, imagery, and the stuff of Mbembe’s “planetary curriculum.”
Conceived and Directed by Bill T. Jones
Choreography by Bill T. Jones with Janet Wong and The Company Bill T. Jones/Arnie Zane Company: Barrington Hinds, Dean Husted, Jada Jenai, Shane Larson, s. lumbert, Danielle Marshall, Nayaa Opong, Marie Paspe, Jacoby Pruitt and Huiwang Zhang
Lighting Design by Robert Wierzel
Sound Design by David van Tieghem
Costume & Scenic Design by Liz Prince
Accessibility
- Accessible and companion seating can be selected when purchasing tickets online, or at the Box Office at 617-478-3103 or visitorservices@icaboston.org.
- Assistive listening devices are available for all theater programs at the theater entrance.
- A link to live captioning will be shared by the day of the event and will be available in the theater.
- ASL interpretation is available by advance request; please contact the Box Office at 617-478-3103 or visitorservices@icaboston.org to make a request.
Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.
Curriculum II is commissioned and produced by New York Live Arts with commissioning support from Peak Performances at Montclair State University (MSU) and the American Dance Festival. Curriculum II premiered with Peak Performances at MSU in June 2022.