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Advance tickets are recommended and are available for visits through October. Book now

Please Note

Select galleries are currently closed for the installation of Forecast Form: Art in the Caribbean Diaspora, 1990s—Today, opening Oct 5.

Tickets on sale September 13.

Founded in 2018 by Jessie Jeanne Stinnett, Boston Dance Theater (BDT) is a Boston-based contemporary dance company codirected by Stinnett and award-winning Israeli choreographer Itzik Galili. BDT showcases the talents of Boston-based dancers performing the US premieres of If As If by Itzik Galili and Affi and Firebird by Marco Goecke and the world premieres of Awa and Delicate Blue by Alessandro Sousa Pereira.

Accessibility

  • Accessible and companion seating can be selected when purchasing tickets online, or at the Box Office at 617-478-3103 or visitorservices@icaboston.org.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact the Box Office at 617-478-3103 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

Global Arts Live

Tickets go on sale September 13.

As Jean Appolon says, “Jean Appolon Expressions’ (JAE) choreography showcases the relationship between being deeply connected to our roots and the power to heal ourselves, heal our community, and fight for the purpose of keeping our community safe.” The company performs An’n Ale which features three powerful pieces conveying messages of collective healing and demanding that the company’s voices be heard. Ginen, an excerpt of Traka, illustrates historical trauma through Jean Appolon’s influential choreography. Black Is Black is an improvisational piece with Val Jeanty, JAE composer and accompanist, exploring Haitian folkloric rhythms and movements with JAE dancers. Petro is a new work that speaks powerfully about the strength of Haitians’ spirits and the way Haitians immerse themselves in the Haitian Vodou tradition.

Accessibility

  • Accessible and companion seating can be selected when purchasing tickets online, or at the Box Office at 617-478-3103 or visitorservices@icaboston.org.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact the Box Office at 617-478-3103 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

Global Arts Live

Tickets on sale September 13.

Directed and choreographed by Boston-and-Chicago-based artist Jessi Stegall, The Theremin Vignettes is an ode to the late theremin virtuoso Clara Rockmore. Set to Rockmore’s arrangements of classical scores for theremin, the dance-theatre piece explores themes of grief, remembrance, and devotion found throughout Rockmore’s life. Set in the form of choreographic vignettes made up of solos, duets, trios, and quartets with a cast of 11 dancers, the movement style blends ballet, contemporary, gesture, and spoken word.

Accessibility

  • Accessible and companion seating can be selected when purchasing tickets online, or at the Box Office at 617-478-3103 or visitorservices@icaboston.org.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact the Box Office at 617-478-3103 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

Global Arts Live

In celebration of American Jazz composer and drummer Max Roach’s 100th birthday, Max Roach 100 brings together three visionary choreographers—Ronald K. Brown, Ayodele Casel, and Rennie Harris—to produce new works in tribute to Roach’s legendary music and activism. Ronald K. Brown and Cuban-based Malpaso Dance Company will collaborate on a piece set to Percussion Bitter Sweet, Roach’s message-driven score characterized by its Afro-Cuban percussion. Roach’s The Dream/It’s Time, in which the drummer’s band joins a recording of Martin Luther King Jr. in an aspirational and urgent conversation, will be amplified by hip-hop dance company Rennie Harris Puremovement. The deeply knowledgeable tap dancer Ayodele Casel will perform a new solo to a series of duets between Roach and another pioneer of Jazz, pianist Cecil Taylor. 

Accessibility

  • Accessible and companion seating can be selected when purchasing tickets online, or at the Box Office at 617-478-3103 or visitorservices@icaboston.org.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact the Box Office at 617-478-3103 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

Tickets are available for members on July 25 at 10 AM and for nonmembers on July 27 at 10 AM.

BLACK HOLE—Trilogy And Triathlon is a multidisciplinary performance choreographed by the award-winning movement artist Shamel Pitts and co-created and performed by his Brooklyn-based arts collective TRIBE. Deeply inspired and infused by the spirit of Afrofuturism, the performance combines dance, original sound, video projection, and light design in a tale of vitality and tenderness, darkness and light, personal growth and collective empowerment.  

In BLACK HOLE, a trio of Black performers (all of African heritage) shares the stage in a narrative of unity, vigor, and unrelenting advancement. Their journey originates in the darkness of the titular Black Hole, understood not as a cosmic void but a metaphorical place of transformation and potential. Engulfed in an evocative soundscape of original music, sound samples, and spoken word, the dancers embark on an hour-long uninterrupted journey in movement in which their tenacity and grace are illuminated by cinematic video projections and stark, monochromatic lights.  

Choreographed by 2020 Guggenheim Fellow and 2021 Bessie Award winner Shamel Pitts, who also performs in it, the piece features dancers Marcella Lewis and Tushrik Fredericks; video and lighting designed by Lucca Del Carlo; music composed by Sivan Jacobvitz; spoken word text by Shamel Pitts; and costumes by Naomi Rapaport and Mirelle Martins. Photography and cinematography for the piece are by Itai Zwecker and The Adeboye Brothers. 

Accessibility

  • Accessible and companion seating can be selected when purchasing tickets online, or at the Box Office at 617-478-3103 or visitorservices@icaboston.org.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact the Box Office at 617-478-3103 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

BLACK HOLE was developed with the kind support of Trust for Mutual Understanding (TMU), American Dance Abroad, gloATL, PearlArts Studios, CrossAward (Italy), Dock 11 / Eden (Germany), Derida Dance Center (Bulgaria), Foundation for Contemporary Arts Emergency Grant, Artis, New York Live Arts, and 92nd Street Y Harkness Dance Center. 

Support for Black Hole is provided, in part, by The David Henry Fund for Performance.

Boston’s own Subject:Matter explores where tap dance has been, where it’s going, and what it looks like right now. 

Accessibility

  • Accessible and companion seating can be selected when purchasing tickets online, or at the Box Office at 617-478-3103 or visitorservices@icaboston.org.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact the Box Office at 617-478-3103 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

Global Arts Live

Brooklyn-born musician serpentwithfeet’s experimental electronic music tenderly explores passion and love between gay Black folks. The Guardian said of his 2021 record DEACON, “There can be few albums this year more wholesome, soppy, or unabashedly life-affirming.” He joins MacArthur “genius” Fellow Wu Tsang and choreographer Raja Feather Kelly to present Heart of Brick, a theatrical dance and musical performance that tells the story of two men finding themselves and falling in love in a gay dance hall and captures the multi-generational spirit of the Black queer community. Combining music created for the performance with material from serpentwithfeet’s new album, as well as older songs, Heart of Brick is an evocative new work that embodies the sweetness and sincerity at serpent’s core. 

Created by serpentwithfeet 
Directed by Wu Tsang 
Choreographed by Raja Feather Kelly 
Co-written by serpentwithfeet & Donte Collins 
A Joyce Theater Production 
Produced: The Joyce Theater 
Co-Produced: Kampnagel International Summer Festival 
Co-Commissioned by: The Joyce Theater Foundation, Kampnagel International Summer Festival, The LA Phil – with generous support from Linda and David Shaheen, Seattle Theatre Group, Hancher Auditorium at the University of Iowa 

“The repertory company is known for its versatility, bringing vivid theatricality to a range
of provocative works commissioned from some of today’s most dynamic choreographers.”—Boston Globe


Los Angeles‒based BODYTRAFFIC is internationally recognized for its high-caliber work, blending Contemporary, jazz, and ballet. The company will perform Recurrence by choreographer Ethan Colangelo, The One to Stay With by choreographic team Baye & Asa, PACOPEPEPLUTO by choreographer Alejandro Cerrudo set to music popularized by Dean Martin, and a new work set to Ravel’s Boléro by choreographer Fernando Hernando Magadan.

Accessibility

  • Accessible and companion seating can be selected when purchasing tickets online, or at the Box Office at 617-478-3103 or visitorservices@icaboston.org.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact the Box Office at 617-478-3103 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

Global Arts Live logo

Summer Stages Dance @ ICA/Boston presents a unique and thrilling work-in-progress performance combining music, dance, and juggling. At the ICA, Sandbox Percussion and Gandini Juggling will begin work on a new multi-disciplinary project featuring the music of renowned avant-garde composer Iannis Xenakis. Joining the collaboration are Boston-area dancers and movement artists Alissa Cardone, CiCi Kai, and Yo-El Cassell, along with former Merce Cunningham Dance Company member Jennifer Goggans. Watch this new collaboration take shape with a special showcase of these remarkable artists.  

Described as “exhilarating” (The New York Times) and “utterly mesmerizing” (The Guardian), Grammy-nominated ensemble Sandbox Percussion captivate audiences with performances that are both visually and aurally stunning. Formed in London in 1992 by world-renowned jugglers Sean Gandini and Kati Ylä-Hokkala, Gandini Juggling are at the vanguard of contemporary circus, reinventing and reinvigorating juggling for the 21st century.  

Accessibility

  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact the Box Office at 617-478-3103 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.


Summer Stages Dance @ ICA/Boston is made possible, in part, with the support of Jane Karol and Howard Cooper, George and Ann Colony, The Aliad Fund, and Stephanie and Leander McCormick-Goodhart.

 

Entanglements and scenes of distorted familiarity with physical rigor and humor.

Free preshow talks with David Henry, Director of Performing and Media Arts at the ICA, 30 minutes prior to curtain.

The first work in Faye Driscoll’s Thank You For Coming trilogy, Attendance continues the chorographer’s interest in how people perceive themselves in relationship to others. Intimately staged in the round, the work creates a heightened reality of observation and interdependence as five performers (along with Driscoll and composer Michael Kiley) morph through physical entanglements and scenes of distorted familiarity with physical rigor and humor. Audience and performers become one as a beautiful shared identity emerges.

This performance is supported, in part, by the David Henry Fund for Performance.

First Republic Bank is proud to sponsor the ICA’s 2015–16 Performance Season.

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Access for Boston’s dance community is supported in part by the Pratt-Hall Fund.