The Massachusetts Museum of Contemporary Art (MASS MoCA) opens its doors in North Adams, Massachusetts.
The Massachusetts Museum of Contemporary Art (MASS MoCA) opens its doors in North Adams, Massachusetts.
The ICA wins a citywide bid to develop a new building for the museum on Boston’s Fan Pier.
Jim Hodges explores the devastation wrought by the AIDS crisis in one of the first solo museum exhibitions of his career, organized by the Museum of Contemporary Art in Chicago.
African American artist Kerry James Marshall receives his first major U.S. museum exhibition.
Jill Medvedow launches Vita Brevis at the museum, an ongoing series that commissions local, national, and international artists to create temporary works of art in public settings. Krzysztof Wodiczko and Jim Hodges are among the first artists to receive commissions.
As the 11th director of the ICA, Jill Medvedow brings a bold vision for artistic and civic leadership to the museum, shepherding important exhibitions, programs for teens, and a new home on Boston’s waterfront.
One of Brazil’s most influential contemporary artists, conceptualist Cildo Meireles, receives the first major U.S. museum exhibition of his career.
Enterprise reflects the emergence of Relational Aesthetics (the term first coined in 1996), featuring work by Rikrit Tiravanija, and, in their first U.S. museum show, Vanessa Beecroft and Liam Gillick.
Curated by Catherine de Zegher, Inside the Visible acknowledges under-recognized contributions by women artists in the 20th century, with works by Louise Bourgeois, Lygia Clark, Eva Hesse, Nancy Spero, and Carrie Mae Weems.
New Histories spotlights contemporary artists of African and African American descent whose work addresses the history and daily realities of racism, such as Isaac Julien, Kara Walker, and Fred Wilson.
The ICA introduces Boston audiences to the productions of filmmaker Steve McQueen.